Director: Derek Cianfrance
Cast: Faith Wladyka, Michelle Williams, Mike Vogel, Ryan Gosling
Storyline: Gosling and Williams are Dean and Cindy, a couple with a three-year-old daughter who appear to be in class terms close to the bluecollar stratum. She is a nurse; he is a semi-househusband who works intermittently for a moving company, heaving great boxes and tea-chests in and out of trucks. Dean is more focused on hearth and home and family responsibilities, and moreover appears to resent Cindy's possible neglect of these values, a festering argument which blows up over the question of their yard gate getting left open and allowing their daughter's adored dog to escape and get lost.
Dean has gone to seed and lost his hair, and his fondness for an early-morning beer is developing into something worse. Cindy, however, still looks good, however stressed and tired she gets; she clearly both regrets what she has given up in career terms and is perplexed at Dean's own lack of drive, but can't articulate any of this because of a guilty, anxious appreciation of the selfless and romantic gesture Dean made in marrying her. These changes are disclosed via flashbacks to how they met, and Cianfrance lays out the ingredients of this unfolding disaster – how complex and messy the situation was when they got together, and how their decision to be a family in an awful way symbolised and perpetuated this messiness, which their married love is not strong enough to overcome. No one is directly to blame, and yet blame hangs over everything like a fog.
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